Venice

“Not enclosed within the limits of objective realism, his painting ranges towards ideal shores, rich in lesser meanings and deep resonances. This is the whole of d’Accardi’s artistic journey, who translates into the painting only what within him has by now transformed itself into the initial motif of poetry, with a chromatic and three-dimensional syntax clarified by his own need to be diligent in recalling the unusual. The mystery of a state of mind, a syntax that is all a play of subtly pathetic emergencies where the sequences of different memories of the external world merge into the only reality of spirit.”

Carlo Ceruti, Meridiano di Roma, 1939